Ultra melodic but arranged in such a way nobody hankers for their old days. Great voodoo chile lyrics too - "She's got a mouth full of rasor teeth, and claws so needle sharp, she'll set you off like fireworks, and tear your flesh apart"! Poetry is it's own reward for the Fuzztones, which is just as well really, because bands as giddily gifted as this seldom get rich. Then there's lead vocalist Rudi Protrudi, who gives a tough, arrogant preformance.
If elected, I'll put two bands like this in every garage. The Fuzztones fall somewhere between? Kenny and the Kasuals' masterpiece of mystical musical madness "Journey To Tyme" is next under the Fuzztones' choking grip:"I don't care if I never come back!
Man, who would ever wanna return from something this good? Ghoulish production, superb songwriting, and a lead snarl all delivered by Rudi, that're guaranteed to give you psychedelic nightmares. I dunno if the masterin' got screwed up or what, but this blows. Absolutely first rate. Chris Wodskou - NERVE Fuzztones worshippers shouldn't delay snapping up this well housed with lavish gatefoldsleeve and nicely recorded live set from their '85 European Tour, especially as the first include a free flexi with Rat Scabies and Doctor and the Medics helping out on "Gloria" - such is the power of the band that they can even some live back into this ol' chestnut.
Tan solo lieva una cancion. Listen carefully in your head to a meaningful song in your past and then throw that same record on your turntable.
The real differs from the imagined, doesn't it? That's what makes the Fuzztones special - you can feel the spirit of the Sixties and Fifties in their music, but instead of being true to form, they're true to rememberance. In fact, if you want to pick it apart, the Fuzztones could only exist in the 80's. Take the title track of this four song EP, for instance.
With it's spooky riff and singer Rudi Protrudi's unrepentant wail, "Nine Months Later" explores the haunting after-effects of a one-night stand - certainly taboo subject matter odd years ago. The organ on "Girl You Captivate Me" may be straight out of '66, but there's a lyrical twist, that would have gotten the song banned in the Sixties.
The Fuzztones are like any living entity - a some of it's past, enlarged to fit the present. This neat and all-too-short EP is guaranteed your musical memory. Why the hell these killers weren't ever released on vinyl is totally beyond me cos they're way ahead of most of the current crop of "psychedelic" bands Single and compilation tracks are intersperced with demos neanderthal stomps through "The Witch" and the otherwise unavailable "Fabian Lips" really stimulate the adrenal glands and deadpan interviews from sources as unlikely as The Larry King Show.
Although an energetic performance is captured, this soundboard recording suffers from a terrible mix -vocals way too prominent, guitars too stifled. Not recommended. Free with Glitterhouse magazine. The songs and the recording are the same as "13 Woman and the Only One Man," the gatefold sleeve album believed to be put out by Music Maniac head honcho Hans Kesteloo. Although this mixing board recording captures a energetic perfomance, the mix is awful - vocals way too loud, guitars way too low.
Not recommended! Zwischen den vielen, teilweise schlechten Garage - Samplern ein Juwel mit vielen dem Kundigen bekannten, teilweise von andere gespielt. Der absolute Knaller ist der mit etwas uber einer Minute kurzeste Song "Green Slime," Soundtrack zum gliechnamigen, japanischen B-Movie, 60's trash pure.
Even better than the soundtrack to the classic film Werewolves on Wheels This is a man who, with one thrust of his spandexed! This is the man who will probably die with loons around his ankles, a bottle of Jack in his hands and a broad smile on his face.
Comienza por "Nine Months Later. The title song is overrun with enchanting keyboards not unlike "Ward 81," with the chorus picking up in the vein of "Hang on Sloopy.
THE BOB Jonathan Richman set the pattern for the subject matter, all those adolescent firsts - kiss, drink, guitar, and each and every variant on the boy-girl tangle. This one is a little too real for Jonathan, the girl returning nine months later to deposit a newborn on the boys door.
Power ish pop. En la cara B nos encontramos con la grandisima version del "Down on the Street" que ejecutan junto a Ian Astbury. This 80 minute DVD includesnights of fuzz a documentary, featuring interviews with key bandmembers, along with promo videos from 17 of the top Garage Revival bands.
CD Freebie included with issue of Ansia de Color fanzine. If this version was released instead of the sterile Talmy production, the critic's would have surely had a different response. The Gurus of Garage Grunge at their grungiest! To be released january 28th, !
A dozen new originals! Recorded and mixed entirely analog! This Israeli release features 36 Fuzztones rarities, including previously unreleased studio and live cuts as well as alternate versions and tracks formerly available only on rare comps.
Ninguna version, les 4 obra de la casa! Comienza con "Action speaks louder than words", si esta cancion no te levanta el animo es porque te queda pen este mundo. Tras esta, le toca el turno a "I never knew". Tambien aparecio en formato cd maxi. Mindbending moments like the dangerous charm of the opening "Third Times The Charm," and forthcoming 45 "Romilar D," paint a lurid lysergic picture of sixties-style psych with strokes of wild originality and present day Pebbles-dashed crazed pop.
The sound isn't too dissimilar to that of their previous two studio albums, however there is an alomst dignified maturity in this set. A further dozen reasons to take note of the U. A's greatest export since the Cramps. One trip thta's worth taking. This collection sees them at their very best. If this album was ever reviewed, we were not aware of it. Get it? Gee, there's a word I heard once or twice over the last year or two.
Work It Out by Bloods. A pair of gutsy indie rock songs from Adelaide outfit running joke that are as hooky as they are bone-brittle. Post-punk in the Sonic Youth mold—melody covered by creeping fuzz, anchored by architectural rhythms, with lyrics both abstract and direct. Never Again by EyeBawl. Gritty garage punk from Wilmington, Delaware has a super classic "Girls in the Garage" sound. Bandcamp Daily your guide to the world of Bandcamp. No matching results. Explore music. Get fresh music recommendations delivered to your inbox every Friday.
The Fuzztones - In Heat Your browser does not support the audio element. The Fuzztones - Black Box Your browser does not support the audio element. The original version of the album In Heat from The Fuzztones , as it was intended to sound. The Fuzztones have been around for over 30 years as a garage rock revival band. Though originally from New York City, they worked mainly in Europe where their brand of retro '60s trash rock burned up radios from Hungary to Poland to Italy.
The original In Heat was released in at the peak of the garage revival, when bands like the Chesterfield Kings , Lyres , and Cynics were all the rage. Unsurprising, the music industry turned a blind eye, yet miraculously The Fuzztones signed a major label deal with RCA. Label politics had the band in a "real" studio with a "name" producer who watered down their unharnessed energy and snotty attitude.
In the end the original disc was a second-rate affair with most of the grit rubbed out only to die a sad, quick death at the hands of critics who never appreciated the band's live act anyway.
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